Phantom of the Opera: Classic Phantom is a Triumph

Gaston Leroux's gothic novel Phantom of the Opera was a sensation when it first appeared in 1909; since then this haunting tale has been told in countless print, movie and television versions. But Andrew Lloyd-Webber, in writing it as musical theatre 28 years ago, made a well-worn classic into an international phenomenon. Last night, Abbey Musical Theatre's premiere of Phantom brought the show to Palmerston North audiences. To say that the cast and crew of this huge production fulfilled expectations would be an under-statement. It was a triumph.

The show is so visually and musically sumptuous that even if you know it by heart – as so many theatregoers do – it is impossible not to be absorbed in its story; part penny-dreadful, part great romance, set in the Paris Opera House, circa 1881. Chris Crowe, playing the Phantom, a disfigured and embittered musical genius who lives in the shadow of the Paris theatre, brings every fibre of emotion and range to his role – at times, believe me, moistening more than a few tear ducts in the audience.

His fellow lead, Daniela-Rosa Cepeda, is Christine Daae, the young soprano for whom the Phantom has an obsessive love. Cepeda is an absolutely enthralling singer and actress, certainly a rising star with a bright future. Technical effects are polished; and the supporting cast of highly experienced local performers gave their all. In short, this Phantom can stand with the best of professional productions.